Showing posts with label The Only Ones. Show all posts
Showing posts with label The Only Ones. Show all posts

Sunday, July 5, 2009

VA - Winters of Discontent


I snagged this on the net about two years ago. I have no information about this release, all I know is that this is a compilation of Peel Sessions and the bands and songs featured here are awesome that I am compelled to share this with you just in case you missed it out the first time it was posted. (I think the blog where I got this from has already bitten the dust).

Tracklist

The Stranglers - Something Better Change
Siouxsie And The Banshees - Love In A Void
The Adverts - Gary Gilmore's Eyes
The Slits - Shoplifting
Buzzcocks - Fast Cars
Rich Kids - Rich Kids
Skids - Of One Skin
Adam And The Ants - It Doesn't Matter
The Only Ones - Another Girl Another Planet
Stiff Little Fingers - Suspect Device
The Fall - Mess Of My
The Damned - Stretcher Case
King - Anti Pope
Echo And The Bunnymen - Read It In Books
The Ruts - Sus
Young Marble Giants - Brand New Life
The Nightingales - Start From Scratch
The Birthday Party - Big Jesus Trash Can
Associates - A Matter Of Gender
The Chameleons - The Fan And The Bellows
The Very Things - Wall Of Fir
The Wild Swans - Enchanted
Microdisney - Sun
The Redskins - Kick Over The Statues
Billy Bragg - A New England

Download Here

Sunday, November 18, 2007

Another Girl, Another Planet

The Only Ones is one of those punk bands who had enjoyed "fame" outside the punk circle. Their most famous song, Another Girl... was covered by such diverse bands such as the Replacements, The Libertines and Blinnk 182.
And here's their bio from Trouser Press:

Led by singer/songwriter Peter Perrett, England's Only Ones combined the energy of the punk movement and a more traditional sense of rock craft, with Perrett singing his goodnatured tortured-romantic lyrics in a distinctive (and not unpleasant) whine. The quartet's mix of youthful spunk and seasoned experience (drummer Mike Kellie was a member of Spooky Tooth and bassist Alan Mair's résumé stretched back to the early '60s) helped gain the Only Ones quick prominence, but only one song — the much-covered "Another Girl, Another Planet" — earned the highly touted group any lasting acclaim.

The Only Ones (which includes that stupendous number) is the best of the three original albums. Perrett's languid vocals and songs provide the character and focus, while the band's skills carry it off handsomely. Even Serpents Shine varies little from its predecessor and contains some captivating material, but lacks anything as great as "Another Girl, Another Planet." Special View picks tracks off both albums and adds the two sides of the band's self-released 1977 debut single for an introductory lesson in the Only Ones' early oeuvre.

Although finally realizing simultaneous release in the US and the UK with the Colin Thurston-produced Baby's Got a Gun, the Only Ones' commercial success was still too slight to sustain them, and they called it quits in 1981. The group's cult status has grown steadily ever since, as evidenced (or at least encouraged) by a stream of posthumous releases. Remains and Alone in the Night are decent collections of non-album material. The songs on Live predate the CBS albums; it shows the band to have been firmly in musical control even at that early juncture. The Peel Sessions Album compiles sixteen BBC recordings from 1977 to '80, and is actually a stronger representation of the Only Ones' gifts than any of the band's studio albums.

The England's Glory disc offers ten 1973 demos by Perrett's pre-Only Ones combo (including future Squeeze bassist Harry Kakoulli) and demonstrates nascent talent as well as an overriding Lou Reed fixation. Two of the songs, "City of Fun" and "Peter and the Pets," later showed up on the Only Ones' first LP.

[Ira Robbins / Scott Schinder]
Enjoy!

The Only Ones - Special View