Tuesday, June 30, 2009

Haymaker - It Only Gets Worse


Among the crop of “newer” hardcore bands, Haymaker, in my opinion is on top of the list. Of course, members of this insane band came from Left For Dead, Chokehold, the Swarm, and the Cursed. After releasing several singles and splits with Fucked Up and Oxbaker just to name a few, they’re long-awaited full-length album was finally released in 2002.

Twenty five songs about cops (and how they hate them!), skateboarding and lots more. It included the cover "Burning Chemicals", originally done by the NUNFUCKERS, "A Million More Dead Cops" (MDC), "Life, Love, Revenge" (UNBROKEN), and "From the Cradle, to the Pavement" (SUBHUMANS). These guys are very pissed and reminded me of Infest a lot, which is a very good thing if you may ask. Add in Pushead’s artwork and it’s truly a killer!


Don’t take my word for it, here’s what the ‘pros’ have to say:

Thrash N Burn (Finland)

“BEST RECORD OF 2002!? Awesome heavy hardcore combining thrashy speed, great riffs, heavy mosh parts and a rude as fuck attitude. Haymaker brings the shit - negative hardcore 2002!”

Aversionline.com

“Slightly raw and heavy old school hardcore with all the speed and anger one would expect from the genre. They blaze through 25 songs in 22 minutes, and they mean fuckin' business. Obviously the songs almost never hit the one minute mark, but the writing is still intense as hell, and they know how to pack a fucking punch in 45 seconds or less that's for damn sure. There are tons of brutal breakdowns, but not in a goofy metalcore sense, they just add some flare to the tracks and are also a little bit darker somehow, which is unusual. They also thrown down a cover of the Nunfuckers' "Burning Chemicals", and it's incredible! If this is any indication of what the Nunfuckers had to offer back in the 80's, I've got some hunting to do! The production works out fine. Ever! ything is pretty even as far as both tones and the mix are concerned. I'd turn up the bass a little bit, being careful not to muddy up the sound. But other than that I have no qualms. The guitars are rugged but mesh perfectly with the vicious vocal shouts/screams, the drums are natural and do their thing, etc. The cover art is done by Pushead, so you know what to expect there. Skulls, eyeballs, the usual. The color scheme seems different from his other work, but whatever. The lyrics are bitter as hell and attack various topics, but humorous song titles like "God Can Fuck Hymnself" and "Who Wants to Kill a Millionaire?" should offer some insight there. But don't get the wrong idea, there's some serious shit here too, "Believe everything you fuckin' see, 'Cause those in charge wouldn't lie, Rest assured while you're sleeping, They're creating new ways for you to dieSÿ" This is an awesome fucking record. As with the vast majority of bands that play this style, Haymaker isn't exa! ctly doing something new, but I do feel like they have more to offer than a lot of the other bands out there, and they are leaning towards a sound that has enough diversity to really make a difference. Definitely recommended. There's only so much to say about a CD like this, but it fucking kills, so check it out.“


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Scratch Acid - teh Greatest Gift


Scratch Acid played a huge part in the noisy underground movement of the 1980s; they took punk to the dirtiest, dingiest mudhole they could find and sullied it from top to bottom until it looked and sounded like some hell-bound bogeyman. It's not too far-fetched to think of Scratch Acid as the American equivalent of the Birthday Party, the Texans donning the mantle that was dropped when the BP disbanded. The Greatest Gift contains everything the band ever recorded, including a few lo-fidelity instrumentals. Scratch Acid never received the notice it deserved, but the musicians could pound out brilliantly frenzied and highly original post-punk/noise rock that sometimes rivals the material released by singer David Yow and bassist David Sims' future (and much more well known) project, the Jesus Lizard. The first eight songs were originally released in 1984 as an eponymous EP; from the opening crashing bars of "Cannibal" to the terrifying lyrics heard on "Lay Screaming" (a song which reads like something culled from a medieval book about torture), this band obviously never had any desire to control itself. Only one slight reprieve can be found in the relatively tender "Owner's Lament," a song replete with weeping strings. Songs nine through 20 first saw the light of a sickly day as Just Keep Eating, Scratch Acid's one and only full-length that found the band expanding its musical palette: insane noise rock numbers ("Eyeball," "Holes"), jaunty, faux lounge grooves ("Amicus"), goofy Zeppelin-esque riffs ("Cheese Plug"), and a spot-on cover of the Webber-Rice rocker "Damned for All Time," complete with exclamatory horns. The remainder of the disc comprises the songs from their definitive statement, the 1987 Berserker EP. A little more money went into this recording; as the sound quality is better than on Just Keep Eating, it was definitely worth it. "Mary Had a Little Drug Problem" and "Flying Houses" are whirlwinds of pounding drums, foreboding basslines, and scathing, blinding guitar phrases. The band never played so well or wrote better songs. Highly recommended to any Jesus Lizard fan and noise rock/hardcore punk aficionado.

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Wednesday, June 24, 2009

Richard and Linda Thompson - Shoot Out the Lights

We went to my sister’s house in Antipolo (a suburb of Manila) during the Independence Day long weekend. I have nothing to do much there since there’s no Internet connection and all, so I dusted off my DVD collection I left there when my wife & I decided to live in the city. I found my Richard Thompson DVD when he played the Austin City Limits show. It showcased the whole concert, not just the 30 minutes of performance featured in the said TV show. It reminded me how much I worshipped this guy’s guitar playing. The set was half acoustic and the other half electric. With him was a guy on an upright bass and a drummer. That’s it! But this guy rocked the audience like no other. So upon returning to the city, I immediately put on the Shoot Out the Lights CD. This record still kicks my ass, not the ass kicking I get with say ENT but a different kind of kick altogether.

He recorded this album with his wife, alternating vocal duties through out. It was originally released back in 1982 when their marriage was on the brink of disaster. But the songs here were written 1 or 2 years prior so there’s not much of a strain here. There are also hints of Fairport Convention, his former band, especially on Back Street Slide.

Hope you enjoy this as much as I do.


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Microdisney - Singles & B Sides


Microdisney, I first heard on WXB 102.7 FM, the sorely missed radio station here in the Manila. I think it was 1984 or 1985 when I heard Harmony Time, and they didn’t play it again (though Birthday Girl received a considerable airplay, since it’s actually the A-side and Harmony Time is the B-Side). But the song stuck in my head like a splinter and I was left hanging all this time.

Recently, I asked my friend and partner in crime, the Terrorizer, if he can find me that song. And he actually did. He got it from some long dead blog but the links are still ok. After 20 plus years of searching, I finally get to listen to that song again.

Yeah I know, I’m supposed to be punk & hardcore and stuff like that. But I got to admit, I also listen to stuff from Echo & the Bunnymen, Pale Fountains, the Lucy Show and the like. I listen almost about all types of music NOT usually played on the radio (I stopped listening to the radio in 1998 and never looked back).

Anyways, I just want to share to you all the things in my playlist. I hope you dig them as much as I do. Enjoy!


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Wednesday, June 17, 2009

Frank Zappa - Hot Rats


I was listening to Frank Zappa’s Hot Rats the other night and my sister visited us and she was trying to put Tommy, my youngest, to bed. So naturally, I turned off the music. But to our surprise Tommy stood up and looked at me as if saying to turn the music on again. Even my sister knew what Tommy liked and she said to turn on the music. I didn’t know what to think. Does he like Frank Zappa or just any music I put on? So I experimented on different kinds of music. I put on the Dead Kennedys but he didn’t like it. I said to myself, it must’ve have been too noisy for him, he can’t fall asleep. So I put on some Undertones, which is relatively quieter than DK’s. But he still didn’t go to sleep and he was trying to say something to me. Finally, my sister told me to put back what I was listening to before – Zappa. So I did, and lo & behold, he went back to sleep.

I was so stoked that my kid likes Zappa more than his father! I have to say, I wasn’t a big Zappa fan and Hot Rats was just recommended to me by my buddy who’s really into that kind of music. Years back, I asked him what album of Zappa he would recommend to me. He knew that aside from punk, hardcore, crust, power pop, etc. I also listen to Miles, Coltrane & Monk. So, he told me that I should start with Hot Rats, given my musical taste and all. So I bough it and actually liked what I heard. But I wasn’t sure why he recommended Hot Rats instead of say Freak Out! I guess, he read me wrong.

Anyways, this is a really good record and a great introduction to Zappa if you haven’t heard of him and a shoutout to my son Tommy!


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Saturday, June 6, 2009

Tame the Tikbalang - Forever Shall Be


Tame the Tikbalang is one of my all-time favorite Pinoi bands, playing NYHC inspired music. I can't last a month without playing this album. But unfortunately, someone borrowed my cd and forgot to return it, I'm still looking for the f#$*#er! He's in for a beating of his lifetime!

Good thing, a friend of mine has a copy so I just made a copy and ripped it as well for good measure.

So anyone who has a"spare" cd i can score, just let me know via the coment section.

Enjoy!


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Sky Church - Unaware/Unwarned

Unaware/Unwarned is the second release from these thrash, punk, hardcore noise-makers from the Philippines. They gained their notoriety when Jason Newsted, then with Metallica, visited the Philippines and jammed with some local bands. He was very impressed with Sky Church and I can't blame him. These brothers(!) are really, really good. Go and see for yourself!

Enjoy!

I grabbed the picture from ebay. hehehe


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VA - Half the Battle, Play, Feud 3-way Split



Pinoi comps galore! I've posted Deadly Rhythms from the Production Line & Deep Impact compilation and now the three-way split of Half the Battle, Play and Feud.

I saw Half the Battle for the first time when they opened for Eskapo when the latter toured their home country. I was totally blown away by their performance and quickly scrounge to anything they ever recorded. This is the only one I can find, for now.

PS: I only post Filipino releases to showcase them and to show the world what we have. So, all you Pinoi Punks, go to Cartimar Recto and buy these releases. The bands need your support!

Special thanks to Lena Johnston for the scans. More power!


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VA - Deadly Rhythms from the Production Line



Another excellent Pinoi compilation. Istukas Over Disneyland (a great punk band from the Philippines), Killratio (hardcore from the Philippines), La Grita (thrash punk from California) and Eskapo (Fil-Am hardcore from Vallejo, California).

PS: I only post Filipino releases to showcase them and to show the world what we have. So, all you Pinoi Punks, go to Cartimar Recto and buy these releases. The bands need your support!

Special thanks to Lena Johnston for the scans. More power!


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VA - Deep Impact



This is a four-way "international" split from Brutal Assault from Israel, Bloody Rejects from Singapore, Omerta & No Peace in Silince both from the Philippines.

This is an awesome, ear-splitting record of metallic chaos! Enjoy!

PS: I only uploaded Filipino bands to showcase them and to show the world what we have. So, all you Pinoi punks, go to Cartimar Recto and buy these stuff! Support the band they needed it.

Special thanks to Lena Johnston for the scans. More Power!


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Wednesday, May 13, 2009

Valley Girl OST


I don’t know what’s gotten over me, but I was feeling kind of nostalgic lately that I feel the urge to posts these soundtracks here. I remember back in High School that me and my buddies would cut classes just to watch Decline of Western Civilization, Sid & Nancy, Great Rock n Roll Swindle, the Jam concert , Suburbia in Betamax format. Hahaha, those were the daze.

Anyways, the soundtracks here now considered classics. SLC Punk & Suburbia OST’s are no-brainers, it’s up my alley, BUT Valley Girl & Sixteen Candles? Well, I still have my New Wave roots in me. But I got to admit that I haven’t seen Valley Girl though I recently bought the DVD in “pirate land.” While I saw Sixteen Candles years later after its release in a local channel. My friend bought me the Sixteen Candles Soundtrack and a New Order Maxi Single (Thieves Like Us) when he got back from Japan. I sold the Thieves Like Us single but kept the Sixteen Candles OST. Also, the Less Than Zero SOundtrack is amazing simply because of Slayer’s version of In A Gadda Da Vida alone. Just like March Violet’s version of the Rolling Stone’s classic Miss Amanda Jones in the Some Kind of Wonderful OST.

And who can forget Pump Up the Volume (which includes contributions from the Pixies, Sonic Youth, Soundgarden just to name a few) or Some Kind of Wonderful

Personally, I was never a fan of teen flicks such as Pretty in Pink and the like, and the only reason why I watched them was because of the soundtracks.

Anyways, hope you liked my little nostalgia trip!

Enjoy!


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More Music from the Valley Girl Soundtrack


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Pump Up the Volume OST


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Less Than Zero OST


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SLC Punk OST


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Suburbia OST


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Pretty in Pink OST


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Sixteen Candles OST


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Some Kind of Wonderful OST


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the Lost Boys OST


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Wednesday, May 6, 2009

Sugar - Besides


This is a request. Enjoy!

Few bands released as many smokin' B-sides as Sugar, and here are 12 of those songs, plus some of the live versions and solo versions that also appeared on the EPs. If you've never heard such ashen cuts as "Mind Is an Island," "And You Tell Me," the live cover of the Who's "Armenia City in the Sky," and Barbe's "Anyone," you have them all served up on a single platter for you. It's fair to consider this a fourth Sugar LP, as without a doubt it is commensurate with the quality and greatness of the other three. The first 25,000 or so of this compilation came with a bonus CD recorded on the File Under: Easy Listening tour. Far from being just some ho-hum nicety, the live CD is ungodly. What a punishing trio! The opening "Gift" alone is enough to stop the heart stone-still dead; Bob Mould's opening guitar squeals are so revved up you feel like someone put his amp against your ear. "Changes" is almost unrecognizable and takes on an entirely new dimension as a speed-burner. "Gee Angel" sounds as if the entire stage will explode at its rocket launch. "Going Home" seems twice the speed of the original, and twice as cruel too -- it feels like being thrown from a car! Barbe's McCartney-ish booming bass is the perfect, supple support. Drummer Malcolm Travis' thunder-slam of a snare drum and anvil-dropping 16th-note rolls are as devastating as a 400-pound weight dropped on your head, whipping so furiously. After 100 to 150 plays, this recording still captivates like the Kennedy-assassination Zapruder film, only the gore here is the broken down and painful human relationships that come spilling out of Mould's mouth and the viciousness of the band's tight playing and air raid attack. (AMG)


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Wednesday, April 29, 2009

Bob Mould - Workbook


It should be obvious by now that I'm a big Bob Mould fan. From his work in Husker Du, his solo works and with Sugar's. So posting his first two solo records Workbook and Black Sheets of Rain is not a shocker. Plus I also included the Beaster EP and File Under: Easy Listening both by Sugar.

I made a promise that I'm going to post these releases and here they are. Enjoy!


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Bob Mould - Black Sheets of Rain


A scalding, monolithic collection of soul-baring lyrics and primal guitars, Black Sheets of Rain is extremely powerful musically, but is also slightly monotonous. Nevertheless, the record features several inspired songs from Mould, including the catchy single "It's Too Late."


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Sugar - Beaster


Sugar's Beaster is actually outtakes from their previous dynamite album, Copper Blue. It comes off as some kind of deranged, ugly sister of that sparking album, a yin to Copper's yang, a violent, angry, and seething wall of aggression with (this time) little concession to Bob Mould's pop prowess. Perhaps the most densely recorded, heavy trip the man has produced since Hüsker Dü's Metal Circus in 1983, Beaster is what you might get if Mould had been in the mood to construct a full album of songs like "Slick"'s insanity instead of "Helpless" and "Changes"'s monster hooks. Not that it doesn't still make for great listening once one gets used to the change in focus. "Feeling Better" could have made Copper, with its hooky base (more so than the others here), and the best song, "Titled," is ferocious, fast, furious, and a total knockout, the most aurally exciting post-Hüsker Dü track yet. Again, David Barbe and Malcolm Travis are such a superior rhythm section to Grant Hart and Greg Norton, Sugar is a better update rather than nostalgic reinvention, and bits of Zen Arcade and Black Sheets of Rain aside, Mould has never come off so twisted and out of his gourd. "Come Around"'s "vocals" are all but demonic, and "Judas Cradle" matches metal pounding with MBV/Sonic Youth brutal tones slashing out of the guitars, which gives way to "JC Auto"'s meld of "The Act We Act"-style pounding into a thundering, insane, heavy chorus. When Bob starts seething "I'm your Jesus Christ, I know, I know, I know," you wonder what exactly inspired these straitjacket fits! Man, that's something. Now, there is one major flaw: all the songs need an editor, as with excessive length they approach overkill from too much repetition. Never mind. This is a pretty killer experience more than a record. Whereas Copper Blue made you want to sing along, Beaster makes you hide under the bed. Can't say they didn't warn you; Beaster is well-titled.


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Sugar - File Undeer: Easy Listening


Given Bob Mould's reputation for searing electric rock & roll, it may be easy to think that the title of File Under: Easy Listening is ironic, and it is to a certain extent. But beneath the loud guitars lie the friendliest, most relaxed pop songs Mould had ever written. "Your Favorite Thing" and "Can't Help You Anymore" are two of Mould's most direct, pop-oriented songs, driven by instantly memorable melodies and hooks; they are also the most conventional songs on the record. The best moments come when Sugar push the boundaries a bit, whether it's on the country-rock of "Believe What You're Saying," the swirling "What You Want It to Be" and "Company Book," the searching ballad "Panama City Motel," or "Explode and Make Up," which bristles even at its most delicate moments. Mould throws in one classic spite-fueled rocker, "Granny Cool," but the record's finest moment is "Gee Angel," a powerhouse melodic scorcher.


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Thursday, April 23, 2009

VA - New Wave of British Heavy Metal


New Wave of British Heavy Metal

I have to admit I wasn’t aware of this movement until Metallica, specifically Lars Ulrich introduced it to the world at large. Bands like Diamond Head and Angel Witch are totally foreign to me though Tygers of Pan Tang, Venom & Samson are not that new to me.

But I was totally blown away by their music, raw and powerful, a very potent combination indeed.

Anyways, I came to love their music. I hope you feel the same way as I do.

Enjoy!!!


Downlaod Here

CD 1

CD 2


VA - Homage: Tribute to the Descendents


Homage: a Tribute to the Descendents

The Descendents is one of the earliest hardcore bandsd from L.A. They have carved a niche in the hardcore history by writing “love songs” while everyone else are pissed with “everything around them.” Don’t get me wrong, they are one of the meanest, tightest groups ever, but they are not afraid to write and sing songs about girls, which was kind of considered taboo back in the day. Another band that comes to mind when it comes to not being afraid not to conform is Redd Kross. They did a cover of God Thunder while playing in CBGB’s with Circle Jerks & DOA (I think).

Enjoy!!!



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VA - I Wanna be a Stooges: Tribute to the Stooges


I Wanna Be a Stooge: A Tribute to the Stooges

The Kings of Proto-Punk! They were the template for most punk bands and became the yardstick in which punk bands are measured. Bands like the Pistols and the Damned worshipped.

This is an international tribute, bands from Japan, Australia, UK and the US of A all paid their respects to the band that kick started a revolution.

I was very thankful to find this in the bargain bin of the local Tower Records. It’s a kickass record so grab ‘em now.


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Monday, April 13, 2009

Pack / SOL Southeast Asian Tour Promo CD



Aside from the Cluster Bomb Unit gig here in the philippines, this is the gig i regret to miss. i'm so pissed that i missed these gigs. though i was able to procure the complementary CD's. that's the only consolation. hope you enjoy this as much as i do.

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Tuesday, March 31, 2009

Sugar - Copper Blue




I will never forget this record. Why? Because my sister liked it! Yeah, you heard it right, my eldest sister, a fifty something elementary teach actually liked it. It's not usually a good thing if your sister which is 20 years senior to you actually liked what you're listening. But I will make an exception with this record, because it's a really, really good record! It all started when I asked her to buy me COpper Blue since she's going to the mall and I'm too lazy to go out myself. It was in the early 90's and I was listening heavily on crossover/thrash metal thing, with occassional Sonic Youth, Pixies, Black Flag & Minor Threat on the side. When she came back, I immediately played it. And you know what she said? "That's a good record, unlike what you're listening daily. You should listen to that record more often." I was totally blown away by her remark, I was totally caught unprepared by it. I wouldn't normally listen to my sister's musical recommendations but I think this time she's right. It's not I'm going to abandon Slayer, Nuclear Assault, DRI, Black Flag, Bad Brains & Descendents, but I will surely take her advice into consideration. Afterall, it's really, really good.

Take my sister's advice: "Listen to Copper Blue more often."

Enjoy!


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