Saturday, July 25, 2009

IOV - Another Destructive Century


What can I say about IOV that hasn't been written before? Well, I guess nothing. So here it is, a repost of their Another Destructive Century cassette-only release. Enjoy!


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Friday, July 24, 2009

VA - 10 of Another Kind


This is repost of an all-Pinoi New Wave compilation. Actually, this is the major label's answer to the Subterrean Romance (see above post). But this one includes 2 songs per band as opposed to Subterrean's which only includes 1 song per band.

Outstanding tracks from Violent Playground, Deans December, Ethnic Faces and Under Blue Skies. Enjoy!


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VA - Third Bombardment


This is a repost of TRC's third compilation album. I love this comp since it includes Betrayed Never Again plus superior numbers from Collision, RDA, Philippine Violators and Deceased. Enjoy!


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Dean's December - Chemical Wedding


This is a repost of Dean's December's Chemical Wedding album. This is a cassette-only release and in my opinion is one of the best Pinoi new wave, post-punk bands ever. Enjoy!


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Sunday, July 5, 2009

Suburban Lawns - Suburban Lawns


After a two month stay in the States, my friend brought back tons of records – that was 1984. And he was kind enough to lend me some, I barely remember the records I borrowed, Agnostic Fronts’ Cause for Alarm, Killing Joke’s Revelation, Lords of the New Church’s Dance With Me single, and this one from Suburban Lawn. I have to be honest, I don’t know at the time what their music was. I just borrowed it because their name was I think cool. I remember clearly that I was so disappointed because I think they sounded “silly.” But now that I’m older and wiser (yeah right!), I kind of dig their music now that’s why I’m posting it now. This is really a cool record in retrospect – hated it then, love it now. Hearing the song “Janitor” again really brings back memories of late night taping, and hanging out with my friends.

Enjoy!

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Psi Com - Psi Com


Psi Com is a Goth Band from L.A. and it’s single “Ho Ka Hey” received an extensive airplay from the coolest local radio station here in Manila, WXB 102.7 FM because their guitarist Vince Duran is a Filipino.

By the way, did I mentioned this was the first band of Perry Farrell of Jane’s Addiction and Porno For Pyros fame? Well, now you know.

Enjoy!


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VA - Winters of Discontent


I snagged this on the net about two years ago. I have no information about this release, all I know is that this is a compilation of Peel Sessions and the bands and songs featured here are awesome that I am compelled to share this with you just in case you missed it out the first time it was posted. (I think the blog where I got this from has already bitten the dust).

Tracklist

The Stranglers - Something Better Change
Siouxsie And The Banshees - Love In A Void
The Adverts - Gary Gilmore's Eyes
The Slits - Shoplifting
Buzzcocks - Fast Cars
Rich Kids - Rich Kids
Skids - Of One Skin
Adam And The Ants - It Doesn't Matter
The Only Ones - Another Girl Another Planet
Stiff Little Fingers - Suspect Device
The Fall - Mess Of My
The Damned - Stretcher Case
King - Anti Pope
Echo And The Bunnymen - Read It In Books
The Ruts - Sus
Young Marble Giants - Brand New Life
The Nightingales - Start From Scratch
The Birthday Party - Big Jesus Trash Can
Associates - A Matter Of Gender
The Chameleons - The Fan And The Bellows
The Very Things - Wall Of Fir
The Wild Swans - Enchanted
Microdisney - Sun
The Redskins - Kick Over The Statues
Billy Bragg - A New England

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Tuesday, June 30, 2009

Haymaker - It Only Gets Worse


Among the crop of “newer” hardcore bands, Haymaker, in my opinion is on top of the list. Of course, members of this insane band came from Left For Dead, Chokehold, the Swarm, and the Cursed. After releasing several singles and splits with Fucked Up and Oxbaker just to name a few, they’re long-awaited full-length album was finally released in 2002.

Twenty five songs about cops (and how they hate them!), skateboarding and lots more. It included the cover "Burning Chemicals", originally done by the NUNFUCKERS, "A Million More Dead Cops" (MDC), "Life, Love, Revenge" (UNBROKEN), and "From the Cradle, to the Pavement" (SUBHUMANS). These guys are very pissed and reminded me of Infest a lot, which is a very good thing if you may ask. Add in Pushead’s artwork and it’s truly a killer!


Don’t take my word for it, here’s what the ‘pros’ have to say:

Thrash N Burn (Finland)

“BEST RECORD OF 2002!? Awesome heavy hardcore combining thrashy speed, great riffs, heavy mosh parts and a rude as fuck attitude. Haymaker brings the shit - negative hardcore 2002!”

Aversionline.com

“Slightly raw and heavy old school hardcore with all the speed and anger one would expect from the genre. They blaze through 25 songs in 22 minutes, and they mean fuckin' business. Obviously the songs almost never hit the one minute mark, but the writing is still intense as hell, and they know how to pack a fucking punch in 45 seconds or less that's for damn sure. There are tons of brutal breakdowns, but not in a goofy metalcore sense, they just add some flare to the tracks and are also a little bit darker somehow, which is unusual. They also thrown down a cover of the Nunfuckers' "Burning Chemicals", and it's incredible! If this is any indication of what the Nunfuckers had to offer back in the 80's, I've got some hunting to do! The production works out fine. Ever! ything is pretty even as far as both tones and the mix are concerned. I'd turn up the bass a little bit, being careful not to muddy up the sound. But other than that I have no qualms. The guitars are rugged but mesh perfectly with the vicious vocal shouts/screams, the drums are natural and do their thing, etc. The cover art is done by Pushead, so you know what to expect there. Skulls, eyeballs, the usual. The color scheme seems different from his other work, but whatever. The lyrics are bitter as hell and attack various topics, but humorous song titles like "God Can Fuck Hymnself" and "Who Wants to Kill a Millionaire?" should offer some insight there. But don't get the wrong idea, there's some serious shit here too, "Believe everything you fuckin' see, 'Cause those in charge wouldn't lie, Rest assured while you're sleeping, They're creating new ways for you to dieSÿ" This is an awesome fucking record. As with the vast majority of bands that play this style, Haymaker isn't exa! ctly doing something new, but I do feel like they have more to offer than a lot of the other bands out there, and they are leaning towards a sound that has enough diversity to really make a difference. Definitely recommended. There's only so much to say about a CD like this, but it fucking kills, so check it out.“


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Scratch Acid - the Greatest Gift


Scratch Acid played a huge part in the noisy underground movement of the 1980s; they took punk to the dirtiest, dingiest mudhole they could find and sullied it from top to bottom until it looked and sounded like some hell-bound bogeyman. It's not too far-fetched to think of Scratch Acid as the American equivalent of the Birthday Party, the Texans donning the mantle that was dropped when the BP disbanded. The Greatest Gift contains everything the band ever recorded, including a few lo-fidelity instrumentals. Scratch Acid never received the notice it deserved, but the musicians could pound out brilliantly frenzied and highly original post-punk/noise rock that sometimes rivals the material released by singer David Yow and bassist David Sims' future (and much more well known) project, the Jesus Lizard. The first eight songs were originally released in 1984 as an eponymous EP; from the opening crashing bars of "Cannibal" to the terrifying lyrics heard on "Lay Screaming" (a song which reads like something culled from a medieval book about torture), this band obviously never had any desire to control itself. Only one slight reprieve can be found in the relatively tender "Owner's Lament," a song replete with weeping strings. Songs nine through 20 first saw the light of a sickly day as Just Keep Eating, Scratch Acid's one and only full-length that found the band expanding its musical palette: insane noise rock numbers ("Eyeball," "Holes"), jaunty, faux lounge grooves ("Amicus"), goofy Zeppelin-esque riffs ("Cheese Plug"), and a spot-on cover of the Webber-Rice rocker "Damned for All Time," complete with exclamatory horns. The remainder of the disc comprises the songs from their definitive statement, the 1987 Berserker EP. A little more money went into this recording; as the sound quality is better than on Just Keep Eating, it was definitely worth it. "Mary Had a Little Drug Problem" and "Flying Houses" are whirlwinds of pounding drums, foreboding basslines, and scathing, blinding guitar phrases. The band never played so well or wrote better songs. Highly recommended to any Jesus Lizard fan and noise rock/hardcore punk aficionado.

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Wednesday, June 24, 2009

Richard and Linda Thompson - Shoot Out the Lights

We went to my sister’s house in Antipolo (a suburb of Manila) during the Independence Day long weekend. I have nothing to do much there since there’s no Internet connection and all, so I dusted off my DVD collection I left there when my wife & I decided to live in the city. I found my Richard Thompson DVD when he played the Austin City Limits show. It showcased the whole concert, not just the 30 minutes of performance featured in the said TV show. It reminded me how much I worshipped this guy’s guitar playing. The set was half acoustic and the other half electric. With him was a guy on an upright bass and a drummer. That’s it! But this guy rocked the audience like no other. So upon returning to the city, I immediately put on the Shoot Out the Lights CD. This record still kicks my ass, not the ass kicking I get with say ENT but a different kind of kick altogether.

He recorded this album with his wife, alternating vocal duties through out. It was originally released back in 1982 when their marriage was on the brink of disaster. But the songs here were written 1 or 2 years prior so there’s not much of a strain here. There are also hints of Fairport Convention, his former band, especially on Back Street Slide.

Hope you enjoy this as much as I do.


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Microdisney - Singles & B Sides


Microdisney, I first heard on WXB 102.7 FM, the sorely missed radio station here in the Manila. I think it was 1984 or 1985 when I heard Harmony Time, and they didn’t play it again (though Birthday Girl received a considerable airplay, since it’s actually the A-side and Harmony Time is the B-Side). But the song stuck in my head like a splinter and I was left hanging all this time.

Recently, I asked my friend and partner in crime, the Terrorizer, if he can find me that song. And he actually did. He got it from some long dead blog but the links are still ok. After 20 plus years of searching, I finally get to listen to that song again.

Yeah I know, I’m supposed to be punk & hardcore and stuff like that. But I got to admit, I also listen to stuff from Echo & the Bunnymen, Pale Fountains, the Lucy Show and the like. I listen almost about all types of music NOT usually played on the radio (I stopped listening to the radio in 1998 and never looked back).

Anyways, I just want to share to you all the things in my playlist. I hope you dig them as much as I do. Enjoy!


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Wednesday, June 17, 2009

Frank Zappa - Hot Rats


I was listening to Frank Zappa’s Hot Rats the other night and my sister visited us and she was trying to put Tommy, my youngest, to bed. So naturally, I turned off the music. But to our surprise Tommy stood up and looked at me as if saying to turn the music on again. Even my sister knew what Tommy liked and she said to turn on the music. I didn’t know what to think. Does he like Frank Zappa or just any music I put on? So I experimented on different kinds of music. I put on the Dead Kennedys but he didn’t like it. I said to myself, it must’ve have been too noisy for him, he can’t fall asleep. So I put on some Undertones, which is relatively quieter than DK’s. But he still didn’t go to sleep and he was trying to say something to me. Finally, my sister told me to put back what I was listening to before – Zappa. So I did, and lo & behold, he went back to sleep.

I was so stoked that my kid likes Zappa more than his father! I have to say, I wasn’t a big Zappa fan and Hot Rats was just recommended to me by my buddy who’s really into that kind of music. Years back, I asked him what album of Zappa he would recommend to me. He knew that aside from punk, hardcore, crust, power pop, etc. I also listen to Miles, Coltrane & Monk. So, he told me that I should start with Hot Rats, given my musical taste and all. So I bough it and actually liked what I heard. But I wasn’t sure why he recommended Hot Rats instead of say Freak Out! I guess, he read me wrong.

Anyways, this is a really good record and a great introduction to Zappa if you haven’t heard of him and a shoutout to my son Tommy!


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Saturday, June 6, 2009

Tame the Tikbalang - Forever Shall Be


Tame the Tikbalang is one of my all-time favorite Pinoi bands, playing NYHC inspired music. I can't last a month without playing this album. But unfortunately, someone borrowed my cd and forgot to return it, I'm still looking for the f#$*#er! He's in for a beating of his lifetime!

Good thing, a friend of mine has a copy so I just made a copy and ripped it as well for good measure.

So anyone who has a"spare" cd i can score, just let me know via the coment section.

Enjoy!


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Sky Church - Unaware/Unwarned

Unaware/Unwarned is the second release from these thrash, punk, hardcore noise-makers from the Philippines. They gained their notoriety when Jason Newsted, then with Metallica, visited the Philippines and jammed with some local bands. He was very impressed with Sky Church and I can't blame him. These brothers(!) are really, really good. Go and see for yourself!

Enjoy!

I grabbed the picture from ebay. hehehe


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VA - Half the Battle, Play, Feud 3-way Split



Pinoi comps galore! I've posted Deadly Rhythms from the Production Line & Deep Impact compilation and now the three-way split of Half the Battle, Play and Feud.

I saw Half the Battle for the first time when they opened for Eskapo when the latter toured their home country. I was totally blown away by their performance and quickly scrounge to anything they ever recorded. This is the only one I can find, for now.

PS: I only post Filipino releases to showcase them and to show the world what we have. So, all you Pinoi Punks, go to Cartimar Recto and buy these releases. The bands need your support!

Special thanks to Lena Johnston for the scans. More power!


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VA - Deadly Rhythms from the Production Line



Another excellent Pinoi compilation. Istukas Over Disneyland (a great punk band from the Philippines), Killratio (hardcore from the Philippines), La Grita (thrash punk from California) and Eskapo (Fil-Am hardcore from Vallejo, California).

PS: I only post Filipino releases to showcase them and to show the world what we have. So, all you Pinoi Punks, go to Cartimar Recto and buy these releases. The bands need your support!

Special thanks to Lena Johnston for the scans. More power!


Download Here


VA - Deep Impact



This is a four-way "international" split from Brutal Assault from Israel, Bloody Rejects from Singapore, Omerta & No Peace in Silince both from the Philippines.

This is an awesome, ear-splitting record of metallic chaos! Enjoy!

PS: I only uploaded Filipino bands to showcase them and to show the world what we have. So, all you Pinoi punks, go to Cartimar Recto and buy these stuff! Support the band they needed it.

Special thanks to Lena Johnston for the scans. More Power!


Download Here

Wednesday, May 13, 2009

Valley Girl OST


I don’t know what’s gotten over me, but I was feeling kind of nostalgic lately that I feel the urge to posts these soundtracks here. I remember back in High School that me and my buddies would cut classes just to watch Decline of Western Civilization, Sid & Nancy, Great Rock n Roll Swindle, the Jam concert , Suburbia in Betamax format. Hahaha, those were the daze.

Anyways, the soundtracks here now considered classics. SLC Punk & Suburbia OST’s are no-brainers, it’s up my alley, BUT Valley Girl & Sixteen Candles? Well, I still have my New Wave roots in me. But I got to admit that I haven’t seen Valley Girl though I recently bought the DVD in “pirate land.” While I saw Sixteen Candles years later after its release in a local channel. My friend bought me the Sixteen Candles Soundtrack and a New Order Maxi Single (Thieves Like Us) when he got back from Japan. I sold the Thieves Like Us single but kept the Sixteen Candles OST. Also, the Less Than Zero SOundtrack is amazing simply because of Slayer’s version of In A Gadda Da Vida alone. Just like March Violet’s version of the Rolling Stone’s classic Miss Amanda Jones in the Some Kind of Wonderful OST.

And who can forget Pump Up the Volume (which includes contributions from the Pixies, Sonic Youth, Soundgarden just to name a few) or Some Kind of Wonderful

Personally, I was never a fan of teen flicks such as Pretty in Pink and the like, and the only reason why I watched them was because of the soundtracks.

Anyways, hope you liked my little nostalgia trip!

Enjoy!


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More Music from the Valley Girl Soundtrack


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Pump Up the Volume OST


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Less Than Zero OST


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SLC Punk OST


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Suburbia OST


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Pretty in Pink OST


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Sixteen Candles OST


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Some Kind of Wonderful OST


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the Lost Boys OST


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Wednesday, May 6, 2009

Sugar - Besides


This is a request. Enjoy!

Few bands released as many smokin' B-sides as Sugar, and here are 12 of those songs, plus some of the live versions and solo versions that also appeared on the EPs. If you've never heard such ashen cuts as "Mind Is an Island," "And You Tell Me," the live cover of the Who's "Armenia City in the Sky," and Barbe's "Anyone," you have them all served up on a single platter for you. It's fair to consider this a fourth Sugar LP, as without a doubt it is commensurate with the quality and greatness of the other three. The first 25,000 or so of this compilation came with a bonus CD recorded on the File Under: Easy Listening tour. Far from being just some ho-hum nicety, the live CD is ungodly. What a punishing trio! The opening "Gift" alone is enough to stop the heart stone-still dead; Bob Mould's opening guitar squeals are so revved up you feel like someone put his amp against your ear. "Changes" is almost unrecognizable and takes on an entirely new dimension as a speed-burner. "Gee Angel" sounds as if the entire stage will explode at its rocket launch. "Going Home" seems twice the speed of the original, and twice as cruel too -- it feels like being thrown from a car! Barbe's McCartney-ish booming bass is the perfect, supple support. Drummer Malcolm Travis' thunder-slam of a snare drum and anvil-dropping 16th-note rolls are as devastating as a 400-pound weight dropped on your head, whipping so furiously. After 100 to 150 plays, this recording still captivates like the Kennedy-assassination Zapruder film, only the gore here is the broken down and painful human relationships that come spilling out of Mould's mouth and the viciousness of the band's tight playing and air raid attack. (AMG)


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Wednesday, April 29, 2009

Bob Mould - Workbook


It should be obvious by now that I'm a big Bob Mould fan. From his work in Husker Du, his solo works and with Sugar's. So posting his first two solo records Workbook and Black Sheets of Rain is not a shocker. Plus I also included the Beaster EP and File Under: Easy Listening both by Sugar.

I made a promise that I'm going to post these releases and here they are. Enjoy!


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Bob Mould - Black Sheets of Rain


A scalding, monolithic collection of soul-baring lyrics and primal guitars, Black Sheets of Rain is extremely powerful musically, but is also slightly monotonous. Nevertheless, the record features several inspired songs from Mould, including the catchy single "It's Too Late."


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Sugar - Beaster


Sugar's Beaster is actually outtakes from their previous dynamite album, Copper Blue. It comes off as some kind of deranged, ugly sister of that sparking album, a yin to Copper's yang, a violent, angry, and seething wall of aggression with (this time) little concession to Bob Mould's pop prowess. Perhaps the most densely recorded, heavy trip the man has produced since Hüsker Dü's Metal Circus in 1983, Beaster is what you might get if Mould had been in the mood to construct a full album of songs like "Slick"'s insanity instead of "Helpless" and "Changes"'s monster hooks. Not that it doesn't still make for great listening once one gets used to the change in focus. "Feeling Better" could have made Copper, with its hooky base (more so than the others here), and the best song, "Titled," is ferocious, fast, furious, and a total knockout, the most aurally exciting post-Hüsker Dü track yet. Again, David Barbe and Malcolm Travis are such a superior rhythm section to Grant Hart and Greg Norton, Sugar is a better update rather than nostalgic reinvention, and bits of Zen Arcade and Black Sheets of Rain aside, Mould has never come off so twisted and out of his gourd. "Come Around"'s "vocals" are all but demonic, and "Judas Cradle" matches metal pounding with MBV/Sonic Youth brutal tones slashing out of the guitars, which gives way to "JC Auto"'s meld of "The Act We Act"-style pounding into a thundering, insane, heavy chorus. When Bob starts seething "I'm your Jesus Christ, I know, I know, I know," you wonder what exactly inspired these straitjacket fits! Man, that's something. Now, there is one major flaw: all the songs need an editor, as with excessive length they approach overkill from too much repetition. Never mind. This is a pretty killer experience more than a record. Whereas Copper Blue made you want to sing along, Beaster makes you hide under the bed. Can't say they didn't warn you; Beaster is well-titled.


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Sugar - File Undeer: Easy Listening


Given Bob Mould's reputation for searing electric rock & roll, it may be easy to think that the title of File Under: Easy Listening is ironic, and it is to a certain extent. But beneath the loud guitars lie the friendliest, most relaxed pop songs Mould had ever written. "Your Favorite Thing" and "Can't Help You Anymore" are two of Mould's most direct, pop-oriented songs, driven by instantly memorable melodies and hooks; they are also the most conventional songs on the record. The best moments come when Sugar push the boundaries a bit, whether it's on the country-rock of "Believe What You're Saying," the swirling "What You Want It to Be" and "Company Book," the searching ballad "Panama City Motel," or "Explode and Make Up," which bristles even at its most delicate moments. Mould throws in one classic spite-fueled rocker, "Granny Cool," but the record's finest moment is "Gee Angel," a powerhouse melodic scorcher.


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Thursday, April 23, 2009

VA - New Wave of British Heavy Metal


New Wave of British Heavy Metal

I have to admit I wasn’t aware of this movement until Metallica, specifically Lars Ulrich introduced it to the world at large. Bands like Diamond Head and Angel Witch are totally foreign to me though Tygers of Pan Tang, Venom & Samson are not that new to me.

But I was totally blown away by their music, raw and powerful, a very potent combination indeed.

Anyways, I came to love their music. I hope you feel the same way as I do.

Enjoy!!!


Downlaod Here

CD 1

CD 2


VA - Homage: Tribute to the Descendents


Homage: a Tribute to the Descendents

The Descendents is one of the earliest hardcore bandsd from L.A. They have carved a niche in the hardcore history by writing “love songs” while everyone else are pissed with “everything around them.” Don’t get me wrong, they are one of the meanest, tightest groups ever, but they are not afraid to write and sing songs about girls, which was kind of considered taboo back in the day. Another band that comes to mind when it comes to not being afraid not to conform is Redd Kross. They did a cover of God Thunder while playing in CBGB’s with Circle Jerks & DOA (I think).

Enjoy!!!



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VA - I Wanna be a Stooges: Tribute to the Stooges


I Wanna Be a Stooge: A Tribute to the Stooges

The Kings of Proto-Punk! They were the template for most punk bands and became the yardstick in which punk bands are measured. Bands like the Pistols and the Damned worshipped.

This is an international tribute, bands from Japan, Australia, UK and the US of A all paid their respects to the band that kick started a revolution.

I was very thankful to find this in the bargain bin of the local Tower Records. It’s a kickass record so grab ‘em now.


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Monday, April 13, 2009

Pack / SOL Southeast Asian Tour Promo CD



Aside from the Cluster Bomb Unit gig here in the philippines, this is the gig i regret to miss. i'm so pissed that i missed these gigs. though i was able to procure the complementary CD's. that's the only consolation. hope you enjoy this as much as i do.

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Tuesday, March 31, 2009

Sugar - Copper Blue




I will never forget this record. Why? Because my sister liked it! Yeah, you heard it right, my eldest sister, a fifty something elementary teach actually liked it. It's not usually a good thing if your sister which is 20 years senior to you actually liked what you're listening. But I will make an exception with this record, because it's a really, really good record! It all started when I asked her to buy me COpper Blue since she's going to the mall and I'm too lazy to go out myself. It was in the early 90's and I was listening heavily on crossover/thrash metal thing, with occassional Sonic Youth, Pixies, Black Flag & Minor Threat on the side. When she came back, I immediately played it. And you know what she said? "That's a good record, unlike what you're listening daily. You should listen to that record more often." I was totally blown away by her remark, I was totally caught unprepared by it. I wouldn't normally listen to my sister's musical recommendations but I think this time she's right. It's not I'm going to abandon Slayer, Nuclear Assault, DRI, Black Flag, Bad Brains & Descendents, but I will surely take her advice into consideration. Afterall, it's really, really good.

Take my sister's advice: "Listen to Copper Blue more often."

Enjoy!


Download Here



Monday, March 30, 2009

New Model Army - History



It's been a long time since my last post, or so it seems. I got hooked in playing Vampire Wars - haha! Anyways, here's another bargain bin find. I can't really understand why this record is in a bargain bin but it was and it suits me well. Here's a band that needs no introduction. This is their singles collection from 1985 to 1991. If you're a fan, this is a must-have, for the uninitiated, this is a good record to start with, an introduction to this great band! Enjoy!

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Monday, March 16, 2009

Dean's December - Chemical Wedding

This is a recent request for a Re-up. This time it's Deans December, a Filipino New Wave/Post Punk outfit from the 8o's. This is their self-release record called Chemical Wedding. All the songs here are in English and they're really, really good! Why don't you check it out for yourselves and find out how good this band was.

Sorry I don't have a scanner and can't find the cover for this one.

download here

VA - Fatal Response


There's a request for a re-up for this TRC compilation. Enjoy!

Tracklist

01. Dead Ends - New Life
02. GI & the Idiots - Broken Lineage
03. GI & the Idiots - Nine Years in Service
04. GI & the Idiots - the Flag
05. WUDS - Patay Buhay
06. WUDS - Inosente Lang ang Nagtataka
07. Urban Bandits - News fo the World
08. Urban Bandits - Battle of Mendiola
09. Zoot Suit - Look at that Boy
10. Zoot Suit - Suit Yourself
11. Dead Ends - Don't Drop Your Guns

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Thursday, March 12, 2009

VA - Cupid's Revenge

I found out something. My DVD writer can’t read some of my old CDs. When we went to my sister’s house last weekend, I tried those CDs in my old PC and it worked. So I ripped them all! I’m also having problems with my ripper. Damn! Anyways, enough with my problems.

As I told you on my Valentine’s post, I was supposed to post this on that day but since my DVD writer’s been acting strangely I wasn’t able to. I bought this CD on a bargain bin. I quickly grabbed it upon seeing the tracklist. Though I got to admit that I already have most of the songs here but seeing collected into one CD is pretty amazing to me. I can’t resist it, I just got to buy it..

There are lot’s of great tracks here and particularly the Vandal’s version of that Grease song Summer Lovin’. Nothing really special about their version except that they just punked it up really good which is all I’m looking for. Hahaha. Also, there a classics here like the SImpletones’ I Have a Date (the Vandals have a version of this song as well from the Quickening OST I guess). The Dickies’ version of Rosemary is awesome (reminds of someone I lost years & years back). Stand out tracks here are the Nuns’ Do You Want Me on My Knees and the closing song, the Rotters’ Sit on My Face Stevie Nicks. Need I say more? Enjoy!

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Social Distortion - Girls cars & Loud Guitars


This is a limited CD released only in Germany (I think). This CD collects most of their B-sides o mostly cover songs of country/rockabilly and a Bob Dylan (Lonesome Train). Plus 3 very familiar SD songs, Ball & Chain (edit), Bad Luck (Live Acoustic) and Ball & Chain (Live Acoustic). I love this record. Enjoy!

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Bob Mould - Poison Years


I have to admit that I actually not very thrilled to Bob Mould’s solo efforts. Then I found this CD in the early 2000. I already have the Sugar records Copper Blue & File Under: Easy Listening so I though, wtf it’s Bob Mould! I bought it and was totally blown away by it. He did not lose any of his power & brilliance after the demise of Husker Du, if not even matured, in a really good way. What am I thinking, avoiding his solo records? There's only one left to do, I have to scrounge every record store here the Philippines just to get a hold of Bob Mould’s back catalog – Workbook, Black Sheets of Rain, etc. Good thing I was able to track 'em down. I won't forgive myself if I wasn't able to find them. I'll be very pisssed!

Anyways, I’ll be posting my Sugar & Bob Mould’s records in the near future. Meanwhile, I gotta get back to FB to play VW. Adios for now mi amigos. Hope you enjoy the posts.

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Tuesday, March 3, 2009

Pailhead - Trait EP & I Will Refuse/No Bunny Single


Talk about unholy alliance. Pailhead is a side-project of Al Jourgensen of Ministry and Ian Mackaye of Minor Threat & Fugazi. Ian Mackaye’s straight-edge stance and Al Jourgensen’s legendary substance abuse make this collaboration really, really interesting. Posted here is their 4-song EP Trait and the No Bunny/I Will Refuse single. Yes it’s industrial but with an edge. I actually downloaded this probably a year ago and I forgot from what blog I actually snagged this gem.

Enjoy!

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Scruffy The Cat - Tiny Days


Part of the fertile late-'80s Boston music scene that included the Blake Babies, the Lemonheads, and Buffalo Tom, when it came to making a clang, Scruffy the Cat favored traditional instruments such as harmonicas and banjos to the wall of distortion of their contemporaries. That's not to say the songs on Tiny Days don't rock, however. Using great sing-song melodies and a relentless backbeat, Scruffy transform basic pop songs like "Time Never Forgets" and "Thomas Doubter" into roots rock workouts; a New England, clam chowdery version of Jason & the Scorchers or Steve Earle. (AMG)


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Scruffy The Cat - Moons of Jupiter

Scruffy the Cat followed their highly enjoyable debut with Moons of Jupiter, which substitutes quantity for quality on 16 new songs. The band's crisp roots rock sound is intact, but the songs don't stick, and the album's kitschy "space age" theme seems like a half-baked attempt to find something -- anything -- to sing about. The album is easy on the ears, but the band was sliding by on pure, uninspired songcraft at this point, assembling superficially adequate songs with little substance. In places even the performances break down, as with the weak vocal on "Keith's Lament," and it came as no surprise when Scruffy the Cat disbanded afterwards. (AMG)


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Bystorm/Pulling Teeth Split


Bystorm

We started out around 2003-2004 as a side project that eventually evolved into a full-time hardcore machine. Influenced by the early-mid 90's hardcore scene, which is the music they grew up with, they set out to shake the very foundations of the local hardcore punk scene which was plagued by the commercially oriented 'hardcore' types to the non-stop whining artsy-fartsy types (when they have everything in the world and no reason to whine about). Our first release was a split CD with local HC contempraries, SAUNA from Batangas, which gave a sign of things to come for the local scene. We have recently released our second effort, a split CD with Baltimore's finest, PULLING TEETH! This split was released with the help of the guys from Take Four Collectie, Major Malfunction and Delusion of Terror Records. Check this CD out, as we believe this is our finest effort so far, and if not for us, check out the PT side! F'n awesome band!! Thanks to everyone who helped us out and showed their support to our recently concluded Malaysia/Singapore Tour and we're seriously considering doing it again because it is the best times we had as a band! (from Bystorm Myspace )

Pulling Teeth
Hometown: Baltimore, MD USA

Mike: Vocals
Dom: Guitar
Mitchell: Guitar
Chris: Bass
Alex: Drums

Pulling Teeth are a brutal metallic hardcore/punk band from Baltimore, MD.

Featuring former members of Slumlords, The Spark, Desperate Measures, and Never Enough, they play a furious style of metal influenced hardcore. Combining the classic power of Integrity and Poison Idea, with the apocalyptic heaviness of newer bands Cursed, Tragedy, etc.

Pulling Teeth released "Vicious Skin" on Chainsaw Safety/A389 in late 2006. The album was considered the sleeper punk/hardcore album of the year, receiving fantastic reviews from press worldwide.

In early 2007, Pulling Teeth released a split 7"EP with UK's Frightener on Dom's label, A389. A release that was followed up by their beast of an album "Martyr Immortal on Deathwish in 2008.

"Paranoid Delusions | Paradise Illusions" is the latest work from Baltimore hardcore mainstays, Pulling Teeth. Painstakingly recorded and engineered by Chris Camden at Ultrasound over a three month period, "Paranoid Delusions | Paradise Illusions" is a conceptual piece of immense artistic depth and darkness.

Songs like the bruising "Unsatisfied" dig deep to reveal monstrous dirges that rival any doom metal artist. While the Slayer influenced "Bloodwolves" is as volatile and infectious as a song can be. Though the aforementioned songs are truly brilliant works, it is Pulling Teeth's new found mastery of emotional ebb and flow which shines as their real strength. This awe inducing quality is revealed in the stunning two title tracks, "Paranoid Delusions | Paradise Illusions". Collectively both songs are a monumental achievement of soulful guitar work, Moog driven textures, and insightful prose. A near perfect example of how a band can evolve without abandoning the heart and raw energy that defines the "hardcore/punk" genre at its very core. (from Deathwish Inc. website)

Btw, this is a request from Putang-I-Nas. He also requested the New Names fro Old Desires compilation.

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VA - New Names for Old Desires


This is another release from Take 4 Collective. It’s actually a 4-way split with Nuclear Punishment, Isvarah, Prayer for Endurance & Forgiveness Denied. It’s a really ear-splitting record. I believe the compilation is now out-of-print but if you have a chance to buy the album, do so. Please support the scene!


Tracklist:

Nuclear Punishment

1. Turbo Kabaong Showcase
2. Shabu
3. Girl
4. Moron Ensemble
5. Succubus

Isvarah

6. Digging Graves
7. Hypocrisy
8. Fear is the Limit
9. Fire
10. Soulless

Prayer for Endurance

11. Sinners Among Saints
12. Parameter
13. Messhiah Complex
14. Broken Halo
15. Last Minute Revelation

Forgiveness Denied

16. Catacombs of Clouds
17. Harsh Reality
18. Another Memory Dies
19. Merciless
20. My Beloved Cancer
21. Nothing But Death

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